On January 15th, 2018, Dolores O’Riordan passed away, and we found ourselves devastated once again. As the lead singer and co-songwriter for The Cranberries, her voice has been a part of our collective consciousness for decades now, coloring the childhoods of your good good music pals to the point where we didn’t even realize how deep her art had reached. In memory of her incredible talent, we’re rectifying that, and digging into what we think is the best album of the entire Cranberries discography: No Need to Argue
After Everyone Else Is Doing It, So Why Can’t We? blew up on the backs of classic singles like “Dreams” and “Linger”, the Cranberries simultaneously widened and deepened their focus, branching out into fuzz tones, synths, and all the other colors of the jangle-pop spectrum while turning their lyrical gaze to the horrific violence scarring their native Ireland. The result is weirdly controversial—“Zombie” is treated more like a punchline these days than a stirring statement—but also a gorgeous, cohesive piece that shows the band pushing at their limits.
So this week, we’re examining the whole work, its context, its influence, and the era it defined. We talk extensively about both the Troubles and the influence of our families’ music, and Max still somehow manages to make a quick jab at Better Than Ezra’s expense. It’s ok. They’re good sports.
Ode to My Family
Stef Chura Covers “Ode to My Family”