Welcome to the latest episode we’ve ever posted! Due to several unfortunate circumstances with regards to work and life, we’re getting this B-Side in right under the wire. Luckily, before long this will all be dust and no one will notice.
Speaking of dust and the ravages of age, welcome to the second installment of Nostalgia Check! In this recurring-but-not-even-a-little-bit-regular special, we each take a band from our youths and reexamine them in the harsh light of adulthood to see if they can withstand it, or if they will simply burn up like so much garbage. This week, we’re once again bringing together a pop-punk band and an early-oughts indie darling: Sum 41’s All Killer No Filler and Pete Yorn’s Musicforthemorningafter.
Man, the past was weird, huh? When frosted tips were cool and we all thought George W. Bush was the worst we’d ever get? Such innocent, naive times. Well, at Desert Island Discourse, one of our many mission statements is to reveal the truths of the past in the harsh light of day, and it’s with that intent that we’re introducing a new segment for the show: Nostalgia Check. In these episodes, Andrew and Max will be revisiting the CD wallets of their tween years to see how they hold up, one album at a time. This week, we’re covering Smash by The Offspring and Give Up by The Postal Service.
The bands couldn’t be more different; The Offspring were vanguards of the pop-punk boom of the mid-90’s, whilst The Postal Service’s lone album is responsible for ushering in the soft boy era of the early-oughts, leaving a million Garden State‘s in its wake. But they both speak to the core of this series, in that they’re both perfectly designed to appeal to the young and angsty. Whether you’re the kind of angry, bullied skater kid listening to “Come Out and Play” on a loop or a sad ball of angst with Ben Gibbard lyrics scrawled in their journal, there is something in these albums that will speak to you loud and clear.
But it’s 2018 now, your hosts are pushing 30, and we’ve both long since repressed the feelings that made these albums so important to us now. Can we still find the love our 12 year old selves expressed so fervently? Or will we cover our eyes in shame? Find out in our inaugural episode of Nostalgia Check!
Also: Seth Green Classics, the genealogy of the Crazy Taxi soundtrack, and more weirdly dated references than you can shake a devil stick at.