Episode 22: Guided By Voices Pt. 2 (The Hi-Fi Era)

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The chaotic weather patterns of Julyded by Voices month have shipwrecked another guest on the island—fortunately, that guest is poet, actor, and Guided by Voices superfan Andrew McAlpine! That’s right, we have double the bearded Andrews on board to guide us through GBV’s wild and wooly hi-fi era. Spanning multiple lineups and a bevy of labels, this era is commonly seen as the moment when Bob Pollard lost his way, ditching the lo-fi charm of their classic albums for a more commercial sheen. Yet it also sees the band experimenting with their sound like never before, and the end result is an eccentric collection of highs and lows that produced some of the most interesting (and highest charting) albums of their career. With the help of Andy’s jovial, moderating presence, we take on a divisive set of albums, and find far more jewels than we expected. Also: Controversial Opinions, Doug Gillard’s Extraneous Solos, and plenty of new stickers to help those albums fly off the shelves!

For more Andrew McAlpine, check out http://www.andrew-mcalpine.com/!

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Episode 21: Guided by Voices (Lo-Fi Era)

Guided by Voices
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It’s that time again, when we join together with family and friends to celebrate our proud heritage, shared love, and spirit of independence. That’s right, it’s Julyded by Voices month! For our latest poorly named and hurriedly invented holiday, we’re dedicating the next three weeks to national Tascam heroes Guided by Voices. This week we focus on the lo-fi era, when Bob Pollard and his Band of Merry Men emerged from the alcohol soaked basements of Ohio and into the hearts and minds of indie-loving Americans everywhere. Also: Brain Shortages, Max Tape Tips, and an extended stinger about fleshlights.

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Episode 20: Pygmy Lush

Pygmy Lush on the Beard Fence
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Welcome back to the island! Have you ever heard of a band called Pygmy Lush? Well I hadn’t, so they were new to me! That’s right, “If I Haven’t Heard it it’s New to Me Fortnight” (a.k.a IIHHIINTMF, or “Eehintimef” for short) is coming to close with a brief but dense discussion of these hardcore-veterans-turned-ambient-folkies. With only three and a half albums to their name, they managed to surprise this jaded, unfeeling woman, and we think you’ll get a kick out of em too. Also: James Buchanan Fun Facts, the Only Good Nirvana Cover, and some very frank talk about hormonally induced boobs.

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Episode 19: P-Model

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It’s summer here on the island, so we’re reviving ABC’s old justification for reruns to justify our own experimental indulgence and telling each other, “If I haven’t heard it, it’s new to me!” This week is kicking off a two week special where Andrew and Max each bring in an artist the other hasn’t heard of, and Max is starting us off with one of the most unpredictable bands in post-punk, Japan’s own P-Model! Modern day composer Susumu Hirasawa’s post-punk passion project went through a lot of changes over its 20 year existence, and we’re covering perhaps it’s most tumultuous period, from 1979’s Devo-biting debut In a Model Room to the baroque synth-pop of 1986’s One Pattern. In-between, we’ll journey through goofy atonality, reverb heavy no-wave, gorgeous Cure style ballads, and Art of Noise-esque sound collages. But will this island import tickle Andrew’s fancy? Probably! I mean, they’re a real good band. Also: music hipster dick measuring contests, the varied works of Satoshi Kon, and just so, so much poorly pronounced/translated Japanese.

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